THE ARCTIC
A New Way to Love
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There are places that call you back, long before you understand why.
Baffin Island was one of them. For years, something within me insisted I return—an unshakable feeling that there was something I had not yet seen, not yet understood. I followed that instinct, not with clarity, but with trust.
After my accident last year, I couldn’t imagine being back there. The distance felt greater than physical—it felt impossible. And yet, I am deeply grateful that I found my way back.
What I struggled to comprehend before was a kind of love that did not look like the one I knew. A love that could hunt, that could take life, and still hold deep respect for it. A love that does not separate care from survival.
In Qikiqtarjuaq, that understanding began to unfold.
Within the Inuit community, I witnessed a relationship with animals that challenged my own definitions. Dogs are not treated as we might expect, and yet they are essential, respected, understood in ways that go beyond affection. Life here is not divided into categories of wild and human, of love and necessity. It is lived as one continuous thread.
The Inuit do not stand apart from the land—they are of it. Their lives move with it, depend on it, honor it. In many ways, they exist within the same rhythm as the animals themselves—not above them, not separate from them, but alongside them.
And in that closeness, I began to understand.
What once felt like contradiction revealed itself as something deeper: a form of love rooted in truth, in balance, in survival. A love that is not always gentle, but is always real.
None of these photographs would have been possible without the guidance and generosity of the Inuit community, to whom I owe deep gratitude.
Through this work, I realized that what drew me back to Baffin Island was this very lesson—the need to see, to feel, and to accept a different kind of love.
And in Qik, I finally did.
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All prints are part of a limited edition of 12 and are available in the following sizes:
27.5 x 31.5 in, 24 x 36 in, 40 x 55 in, and 63 x 90 in.Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
TWO LOVERS
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Two Lovers, Svalbard, 2025
From the ongoing book project “The Lonely Wanderer”
Beneath the shadow of an untouched mountain, two lovers cross the frozen plain — small against the weight of the Arctic. Their presence feels almost accidental, yet entirely meant to be, like a heartbeat inside the silence. In a place where survival depends on stillness, their movement becomes a quiet act of love — fragile, defiant, and infinite all at once.
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All prints are part of a limited edition of 12 and are available in the following sizes:
27.5 x 31.5 in, 24 x 36 in, 40 x 55 in, and 63 x 90 in.Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
The YOUNG wanderer
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Two Lovers, Svalbard, 2025
From the ongoing book project “The Lonely Wanderer”
Beneath the shadow of an untouched mountain, two lovers cross the frozen plain — small against the weight of the Arctic. Their presence feels almost accidental, yet entirely meant to be, like a heartbeat inside the silence. In a place where survival depends on stillness, their movement becomes a quiet act of love — fragile, defiant, and infinite all at once.
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All prints are part of a limited edition of 12 and are available in the following sizes:
27.5 x 31.5 in, 24 x 36 in, 40 x 55 in, and 63 x 90 in.Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
NANUK II
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Two cubs playing on their side. A local from Hudson Bay in Canada took me to this place and shared the most real and authentic experience of getting close to polar bears. It was likely a once in a lifetime experience, so perfect and so close.
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Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
BEHIND GLASS
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Arviat, Canada – 2025
He waits — not on ice, but on stone.
A body built for the cold, now stranded between seasons, between what was and what’s left.
The bear stands on dark rock, thin and patient, waiting for ice, for food, for life itself to return.Photographing him felt like looking at the future — quiet, raw, and unbearably honest.
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Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
Mother’s Passage
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Two cubs playing on their side. A local from Hudson Bay in Canada took me to this place and shared the most real and authentic experience of getting close to polar bears. It was likely a once in a lifetime experience, so perfect and so close.
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Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
MY ROOTS GO DEEP (PART II)
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The Leading Bird
Arviat, Canada – 2025t
A mother leads her cubs across the exposed rock — no ice beneath their feet, only memory. She moves with quiet certainty, teaching them how to be in a world that is changing beneath them.
Every step she takes is a lesson: where to find food, how to listen to the wind, when to keep moving.
In her I see both resilience and resignation — the instinct to survive, and the unspoken fear of what comes next.
She is the leader, the teacher, the guide — the living bridge between what was and what must learn to endure. -
Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
PALE MOON
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Baffin Island, Arctic Circle – 2025
Photographed at one of the highest points I’ve ever reached in Baffin Island, near the edge of the North Pole, Pale Mooncaptures a lone female polar bear moving through a vast expanse of silence and snow. This is my favorite place to photograph them — where the light feels weightless, the air holds its breath, and the world exists between shadow and dream.
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All prints are part of a limited edition of 12 and are available in the following sizes:
27.5 x 31.5 in, 24 x 36 in, 40 x 55 in, and 63 x 90 in.Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
WAITING FOR THE ICE
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ARVIAT, Canada – 2025
He walks toward me — steady, deliberate, unafraid. The ice has gone, the rocks now carry his weight. At 78° North, every step is a measure of survival.
There’s no anger in his eyes, only persistence — a quiet understanding of what it means to keep moving when the world beneath you is changing. -
All prints are part of a limited edition of 12 and are available in the following sizes:
27.5 x 31.5 in, 24 x 36 in, 40 x 55 in, and 63 x 90 in.Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
78 N II
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Pale Moon
Baffin Island, Arctic Circle – 2025
Photographed at one of the highest points I’ve ever reached in Baffin Island, near the edge of the North Pole. This image captures a lone female polar bear under a soft Arctic light — quiet, distant, and eternal. It’s my favorite place to photograph them, where the silence feels alive and the landscape itself seems to breathe.
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All prints are part of a limited edition of 12 and are available in the following sizes:
27.5 x 31.5 in, 24 x 36 in, 40 x 55 in, and 63 x 90 in.Each piece is printed with museum-quality archival materials to preserve the integrity and depth of the original photograph.
More information on our printing, framing, & sizing can be found here.
NANUK
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Mom looks so sweet and gentle, but she is one of the most powerful animals on Earth. The gift of this photo was the incredible split second of proximity walking on foot in the tundra of Churchill, Canada.
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More information on our printing, framing, & sizing can be found here.
EVERMORE
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Evermore
Baffin Island 2023
I crossed the frozen quiet with hunger deep in my ribs, driven by the pull of a female somewhere beyond the wind. Instinct led my steps the ancient rhythm of a life ruled by winter and need. Then I saw you.
Small against the vast white, a fragile shape in a land that shows no mercy.
You did not belong here, and I knew it instantly. So I lifted my voice a raw warning torn from my chest, not of rage, but of truth.
Go. Leave now. It was the only kindness a creature like me could give.
Still you stood there as I came closer through the storm-white silence a being carved from winter, a reminder that here, survival speaks louder than fear. And in that moment, I was the wild before you, untamed, unbroken, evermore.
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More information on our printing, framing, & sizing can be found here.
NO MAN’S LAND
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THE DANCE
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HOPE
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From the choppy waters onboard a Zodiac, after two hours creasing the freezing waters of Svalbard at -15 °C, we found “Hope.” This new generation of innovative polar bears are slowly adapting to climate change by hunting differently. This polar bear was right in front of me. My lens was too long, and he came too close too fast; I had a split second to swap cameras, hoping to get this shot.
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HOPE III
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THIS GIFT
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THE LONELY WANDERER
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A reclusive polar bear crossing the Arctic 400 miles from the North Pole. This photo was intended to show the beautiful scenery and very solitary, harsh environment where polar bears roam and walk endless kilometers to find food. To this day I have a hard time grasping how they survive in such conditions.
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More information on our printing, framing, & sizing can be found here.
DOG’S KEEPER
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Dog's Keeper
Churchill, Manitoba, Canada , 2018
I am one of the last who stayed close to the dogs at Mile 5, drawn by a bond few could imagine, yet one that became my winter truth.
Long before you found me resting in the quiet light, I walked the edges of Churchill alongside the presence of the man you knew as Brian Ladoon-the keeper of the Canadian Eskimo dogs, the human who believed that respect, not fear, could shape the space between our worlds.
He never fed us, never lured us closer. He simply allowed us to exist-bears and dogs— each honoring the unwritten code of the tundra.
In that fragile balance, I learned the shape of coexistence, where I could curl into the snow near his dogs with calm in my breath instead of hunger. When you saw me that day, I was resting just beyond their paws, a quiet testament to a rare peace forged through patience and understanding. You could hardly believe what your eyes held — a polar bear lying beside the descendants of ancient sled dogs, bound not by force, but by a trust born over countless northern moons.
Now he is gone, and I am one of the last echoes of the world he tended-a living reminder that even here, in the starkness of the Arctic, connection can survive against all odds. Through your lens, you carry the story of the keeper of the dogs—and through me, his legacy endures in the stillness of the snow.
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More information on our printing, framing, & sizing can be found here.
78 N
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More information on our printing, framing, & sizing can be found here.
NANUK III
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GO WITH HAPPINESS
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THIN ICE
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SO LONG HONEY
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